Category Archives: Personal Blogs

Journal entry

Week 4, after working on the revised proposal, we worked on project planning and our project timeline. Dr Rhody’s  advice proved very helpful. Reflecting back on it now, too, the timeline helped us prioritize and divide tasks, making our process more clear,  efficient and effective. Thanks to also Trello, Slack, and our Zoom meetings, things went smoothly.

On the individual level, I started working on getting our IRB cleared and figure out hosting. I contacted Rebecca Banchik regarding IRB and after a lot of back and forth (and very helpful) communication, that also with Elena, and with also input from Dr Maney, we got cleared. The reason for a lot of back and forth was that we wanted to clarify our exact goals with the project regarding how our data would be used. As for hosting, we initially wanted to explore hosting within the New Media Lab space. I connected them, sent out our application, and upon our communication with them (once again, they were super helpful and responsive), it seemed like it would be a better idea to pursue other options.

At this point, I also started learning Omeka. I had missed all the workshops, so I went online and followed tutorials and got information from the Omeka website. I was eager to get my hands on it and start building the archive.

 

 

Post-showcase FOS* reflection | personal blog

Now that the showcase is done and our papers are handed in, my reflections on the Freedom of Speech* project are taking a different form. The intensely action-oriented thoughts and feelings of the last six weeks were marked by a combination of stress and optimism: there was so much work to be done, but I always found my self talk leaning towards “it’s going to happen” (until the last day, when it switched to a tired but satisfied-enough “it’s going to be what it is”).

Now, without the deadline of a presentation and audience looming, I’m much less stressed about the project. But without the motivation of that deadline, I’m less optimistic about its future. As a recovering perfectionist, I am now okay with the idea that a project can be useful and valid without functioning 100% seamlessly. But I want the tool to work as well as possible so that people can use it without encountering faulty information or frustrating glitches, and that’s definitely not the case yet. But it’s hard to imagine going back to it without my whole group there to share in the process.

It’s lead me to wonder if the site is a beta version or a rough draft. To me, calling it a beta version implies that the same site will be reworked and updated, and the final product would look and function similarly, but at a higher level. Calling it a rough draft (which is increasingly how I feel about the Explore page) opens the door to many more revisions, not just functionality upgrades. For one thing, I’m not nearly as excited about the topic model results now as I was when I first ran the model, and I wonder if they really add much value to the Explore page. The topic model proved a fun exploratory analysis tool, but I think its merits are more limited than I first imagined, especially in the face of the manual data grouping that Martin and Joanne did to make the eras on the timeline.

Thinking about that now brings me back to my first semester in this program — I took a GIS course at Hunter College (Intro to Cartography and Geovisualization), and my major takeaway was that good maps are 10% GIS and 90% context and design. The actual “truth” of the coordinates and GIS layers is obviously important to get right, but the vast majority of communicating the argument or point of a map comes from everything else: colors, labels, statistical breaks, symbology, and maybe most importantly, context. That’s how I’m feeling about the topic model: however cool or interesting the results are, they’re probably only about 10% of the way towards making a good end product. I didn’t leave enough time to build out that context or consider how I would lead a user through the topic model, and in the end, I find Martin’s context-rich descriptions of the eras of free speech to be a much more compelling part of the site.

I think the topic model has potential, but implementing it in a way that really helps users to gain new knowledge about freedom of speech cases would require, at the least:

  • including the full 10-word topic somewhere, not just a representative title, so that users can see the words that make up a topic
  • including a quick definition of what topic modeling is
  • omitting the topic model data point for cases where it adds little to no value, as in cases where the top topic is a mix of unspecific words (this is true of a lot of cases) or cases that don’t have a strong one or two topics

Those are my thoughts for the future of the Explore page topic model, which in truth probably isn’t even top of my list to fix up (looking at you, wrong case showing up in the case modal). As far as deadlines go… I’m definitely taking the coming week off. Five fully online courses later, I maybe feel more beat than I ever have at the end of a school year and am 100% ready for the semester to be over: for some summer, some days outside without opening my computer, and some sleep.

After that, maybe I’ll hit up our group’s Discord server to run my tech edits by them, set a one week deadline, and see if I can squeeze a few more days of “it’s going to happen” energy into the project.

Something of a Retrospective – A Goodbye, Too

I’m fairly sure I’ve missed a post or two, so consider this a combination make-up-farewell post. I want to start by saying that it was a pleasure to work alongside everyone in this course, not just my group. I think being in a classroom environment where everyone is in a similar boat to you with regards to working on a group project made me more comfortable working on my own. To clarify, even in other courses where I’m working on a project, not everyone in that class is working in a group – some work alone, some work in pairs, some work with more. I suppose it’s a matter of feeling secure, if anything.

Something that has come up across all of my classes at least tangentially this semester is the idea of memory and how it interacts with other more immaterial concepts, such as narrative and archiving. It’s made me think about how the memories of not simply this class, but how each of our projects will affect their their respective “environments” (“environment” as in “environment scan”) over time. This may seem needlessly existential, but, how will these projects look after they go dormant? That is, for the projects that are going to receive constant updates, I wonder how they will look at their culmination-before-stagnation, how they look before they go otherwise untouched for an indefinite period of time.

On a brighter note, I’ve also been wondering what will happen when (and if, I suppose) one of us will be reading some scholarly article or academic paper and see one of our projects cited in it. In fact, one of us could even encounter it in a more casual, mainstream context.

I’d also like to put an idea I’ve been toying with forward – during this semester, I looking at heraldry as a form of rebus, which posed a number of intrinsic and distinct challenges. For instance, the fact that when one “solves” a coat of arms, one will generally end up with a far more abstract and less defined result than when one solves a rebus. Indeed, “solving” a coat of arms is more like a fusion of mapping an area and analyzing a painting, while solving a rebus is more like a combination of solving a math problem and analyzing a poem: in the case of the former, it’s less straight-forward, and there are theoretically multiple, possibly radically different yet still correct methods and answers. So, I pose this question: while heraldry has connections to conventional rebuses that aren’t too obscure, what items, further removed from heraldry, could be interpreted as one would interpret a rebus?

Whatever the case may be, I wish you all the best of luck in your endeavors, and I look forward to potentially working with any or all of you next semester. Farewell, and have a lovely summer.

“Old Soldiers”: Bianca’s positively last (personal) appearance.

I may have missed a post: I’m not sure.  The numbers don’t quite add up.  So I thought I’d use this as a chance to reflect on the days, hours, and minutes, leading up to Thursday’s presentation.

By Monday evening most of the copy had been submitted (Project Manager: manage thyself!) and proofread (but with the comments on Google docs, so not everyone had seen/ corrected their typos) when the link went to Bret.  Thanks to his alacrity, Tuesday and Wednesday we made further corrections based on his suggestions, and on all the things I found that I had overlooked the first two times: spelling errors, inconsistencies, alternative solutions for some of the rebuses.  Patricia and Rachel made the adjustments with a lot of herculean lifting and remarkable calm.

As late as Thursday morning, I went over the material a couple more times and discovered yet more misspellings.  But I also found an obscure article on American Tobacco Slang that allowed us to decipher a remaining enigmatic rebus on one of our demos.  According to Katherine Kell, in “Folk Names for Tobacco,” “a soldier” is a lighted or whole cigar or cigarette as opposed to ‘a dead soldier’ or a stub.”  There are even “ranks” of soldiers, according to the size of the remaining cigarette.

The corrections didn’t make it into our slide deck, but they did give me a feeling of confidence that the site was undergoing continual improvement and getting ever closer to where we wanted it to be.  It was a luxury that ReadingRebus went last, as celebrating our classmates’ achievements took my mind off the looming presentation.  Not that there was anything to worry about, Rachel did an amazing job and the demos went off without any glitches.  Now that the prosecco has gone flat and the confetti has been swept up, I plan to do more micro-correcting, refining the entries further, and adding more glorious rebuses for people to explore and solve.

Drop by the magic re-bus!  Or press here for our theme song!

Workshop: Careers at the Intersection of Education and Technology

The Careers at the Intersection of Education and Technology panel took place on May 11th, and it included professionals working in this new and in-demand field.  The event highlighted the diverse and unique positions that merge digital humanities, digital pedagogy, open education, library studies, and coding. The panelist included Barbara Hubert from Brainpop,  digital humanities fellow Erin Rose Glass, and Museum Educator Maria Janelli. These Graduate Center Alumni gave insight into working with a Ph.D. title, how much technical or educational experience one needs to work in this field, and how one might land a job that blends these two ever-changing fields.

Like lessons I’ve learned in my Digital Pedagogical courses, the alumni reiterated that one of the main rewards of this intersection between education and technology is giving students more agency and access to educational material and digital skills like coding. While at the panel, I couldn’t help but be reminded of my team’s project, Corona Chronicles. This living, breathing, student-centered archive thoughtfully curated, is a tool of access and agency for middle and high school age learners to tell their story their way.

The panel gave me comfort and confidence in all of the tools I’m learning in the digital humanities program and what the career world looks like for people with our unique and versatile set of skills and interests. Along with host Joseph Paul Hill, the panelists spoke about the demand in both the educational world and the technology/digital production world for digital humanities and digital pedagogy skills. They gave tips on how to best present our learning and praxis experiences on resumes and CVs, highlighting the nature of our projects, project management skills, design and implementation, and how we work with data.

The most important lessons from this panel were to 1. you don’t need to be an expert in both education and technology to acquire a position that merges these two fields; you have to be open to learning new capabilities and collaborating with others in your team (who are also diverse when it comes to skills). 2. When learning one software or programing language, one must also be open to teaching these to others. 3. Most importantly, one must network and maintain connections with fellow alumni, educators, and other professionals one meets along the one way. This last point is not unique to technological nor educational opportunities. Still, it is special to this intersection since you will always be learning new pedagogical and digital skills and constantly collaborate with people from a completely different background and maybe more or less experience in either education or technology.

Cartoon of man chasing skeleton.

Lisa’s Public Journal – Week Fourteen — The Final Hurtle

Ghost Hug. You can't feel it but its there.

“File:Ghost Hug chalk writing on Hawthorne during Coronavirus pandemic.jpg.” Wikimedia Commons, the free media repository.

When I stood to write this final journal (yes, stood …I’ve worked at a standing desk for years), I struggled with how best to end this exercise in public journaling: would it be a final personal narrative, or a reflection on the project itself, or something more esoteric?  In the end, I decided to focus on what I believe made the project a success, and that can be summed in one word: cohesion.

For people who have studied group dynamics, the effect of cohesiveness is key to productive outcomes.  Teams generally develop in stages*:

  • Forming (emotions like excitement, questioning behaviors about a person’s place within the group, and task formation).
  • Storming (emotions like frustration when blockers begin to appear, arguments over direction can happen, and tasks need to be revised).
  • Performing (emotions like comfort and acceptance, communication improves, productivity improves).
  • Norming (emotions like satisfaction, fluidity between tasks and adjustments to support needs, skills improve and success is celebrated.
  • Adjourning (emotions like anxiety and loss, some members may increase their productivity while others step back, task closure and celebration).

Our group was tested several times along the way, and we had to move quickly from forming to storming.  Our first test was when we realized we would need to radically rethink the initial proposal, as it had relied too heavily on the work of a single academic.  The second was when we struggled with how to define our audience.  If both cases, our ability to be speak openly and to listen mindfully allowed us to pivot gracefully.  It was helpful that several of us had worked together before this class, so trust had already been established between some members of the group.

The ability to pivot and then to see the work grow from those decisions led us to reach farther.  The creation of the Making Mapping Cemeteries site was driven by our desire to leave a roadmap to future scholars (DH practitioners being one of our audiences), and wanting to engage using different platforms led to the creation of the Mapping Cemeteries: After Life podcast series.  While these choices did significantly increase the workload, they also forced us to stay continually engaged with each other via email, Zoom meetings and our Common’s community site.

We are now moving from norming to adjourning.  Coming together to write our final group report [https://dhpraxis21.commons.gc.cuny.edu/mapping-cemeteries-final-project-report/] was bitter-sweet, since it so clearly signaled that our team in its current incarnation was drawing to a close.  However, our last team meeting was also hopeful, in that we all expressed interest in staying connected to the project in some way and to coming together to finally meet “in the flesh” and do a group walk of our locations for a walking tour.  Our class is over and our class deliverables to it have been met, but our relationships to each other will continue.  That is what cohesion builds and I feel blessed!

*I am referencing Bruce Tuckman’s work here. Resource: https://infed.org/mobi/bruce-w-tuckman-forming-storming-norming-and-performing-in-groups/

Cartoon of man chasing skeleton.

Tom pursues the skeleton of Old Grindstone around the graveyard, c1857.

Due: 13 May 2021 (published 25 May 2021).

Catchup blog #1

I think I have 5 personal blogs left to write, which pretty much coincides with having built an almost-fully functional website in the last… 3 weeks. I honestly haven’t had much to write since my topic modeling posts — the update each week is that I am neck-deep in coding, which is a state that I alternately love and hate.

I hate it because it involves hours and hours of sitting, often so engaged in a problem that I forget to move or drink water for an unreasonable amount of time. I hate it because it leaves my body restless and my brain knackered. I hate it because the emotional landscape sometimes involves great swathes of frustration with just pinpricks of triumph before I turn to the next tangled problem.

I love it, though, because it really is like learning a new language. It’s a language of functionality and precision, and of breaking the problem I want to solve down into a set of tasks that a computer can accomplish. I’ve enjoyed learning over the course of my degree that there’s rarely just one way to do that. There may be one way that’s the most performant, one that’s the most mobile-friendly, one the most visually pleasing, or one the easiest. Beyond that, there may be one way that accomplishes what you really intend and one that seems logically sound but ultimately fails (for example, select all the women in this dataset and select all the not men in this dataset are equally easy tasks for a computer but certainly not equal questions for a researcher — intention is key, as is a data structure that allows you to ask exactly the question you want).

Sometimes these different  “best ways to break down a task” overlap, sometimes they don’t. Sometimes I have the knowledge and bandwidth to make an informed decision or improve on an old way of doing things, other times I’m so relieved to hack out a way that just WORKS, I don’t even think about the others. That’s definitely a plus one for collaboration, since looking at other peoples’ code often teaches me about the ways I haven’t chosen.

I love coding because I get to not only think about all of that, but actually do it. I hope it never gets old for me to write out text commands and see them bring dynamic shapes and colors and movement and information to life online.

Personal blog: Reflection

Thursday’s dress rehearsal reiterated all of our hard work during the last few months. Listening to Karyn’s excellent presentation reinforced our mission and values. Seeing our website overflowing with multimedia stories from the US and international students fills me with so much pride and joy. This has truly been a digital humanities project, one that includes a global and inclusive perspective. With these in mind, we faced so many questions, from hosting and design choices to privacy, safety, and service to and for young students. It’s easy to forget the struggle we faced, the hard decisions and compromises we had to make to create, sustain, and make this project one that has the potential to continue for years to come.

As I think back to my role as the media manager, I can confidently saw our contributors are truly thoughtful, talented, and genuinely much more compassionate and thoughtful than how most adults see them. It’s no wonder that they have chosen to express their experience in various ways. Their works are simple but thoughtfully made; their message is heard/read loud and clear. The practice of editing these videos and enhancing their images and sound reminded me of my work with other creative and wise students at the Youth Channel. I miss my work there, but I’m happy to have collaborated and amply their voices/stories.

I wonder what their parents and educators would think once they view the Corona Chronicles!

 

Bianca’s final post: ReadingRebus as Recreation in difficult times.

In the endpapers of an edition published in Venice 1556 of the Spanish best-seller La Celestina, an anonymous reader has inscribed the following explanation of “pintando motes” or “painting words”: “Lovers in Spain are wont to paint words as refreshment [relief] from/of their passions [sorrows].” The annotator provides three examples of this practice, with their explanations: “Dado me as dado Coraçon cuydado”; “Asperas piernas Elvira as”; and “Consuela te Coraçon que el Mundo Rueda.”

Our rebus collecting and research has largely focused on the interpersonal dimension of puzzle making and solving: the rebus used to create an inner circle of decipherers, to make pedagogy more palatable and memorable to students, to circulate political opinions in an increasingly centrifugal and global public sphere, to attract consumers to industrialized products, or to record sentiments between intimates.  In all these contexts, the rebus rehearses and resolves, momentarily, the inherent problem of signification; the rebus foregrounds the challenges of textual communication but promises the reader a monolithic (and monolingual) solution as designed by its creator, rewarding them with a delightful if transient sense of proficiency and control.

Our early modern explicator, however, suggests an additional function for the puzzle: “recreaçion” of a different sort.  Somehow, s/he does not exactly explain why, the process of painting words about their condition allows lovers—at least in Spain—respite from lovesickness or grief.  At the same time, recreaçion, like the early modern English equivalent, implies both the possibility of a restorative ease/easing and the “growing afresh” or “increase” of those passions: a renewal of the desires that led to this solitary translation from verbal to visual in the first place.  The rebus articulates and instantiates the writer as an amorous subject, even without an audience.  Despite its isolation, deriving from an unrequited passion, and even in its most limited circulation, the rebus functions as what D.A. Miller terms an “open secret”: for example, the “harsh pains” of Elvira, as expressed covertly, establish her not only as a lover but as a writer who both precedes an audience and controls its access and response to her painted words.[1]  The anonymous commentator, on the other hand, establishes their own proximity to such authorial subjects, by providing the solution directly below the rebuses, suggesting their own ability to see the supposed interiority inside the puzzle and the person from whom it emanates.

Nonetheless, we are given the sense that Rebuses–as well as those better known salves, Reading & Writing–can function as solace, as refreshment, in a period of solitude and deprivation.  I know ReadingRebus–both our group and its project–has served that purpose for me, as has the class as a whole, and for that I feel profoundly grateful to everyone in it.

[1] In his venerable “Secret Subjects, Open Secrets” (1985) D. A. Miller describes secrecy as the “subjective practice in which the oppositions of private/public, inside/outside, subject/object are established, and the sanctity of their first term kept inviolate. . . . [T]he phenomenon of the ‘open secret’ does not . . . bring about the collapse of these binarisms and their ideological effects, but rather attests to their fantasmatic recovery” (Miller 1985, 27). Through a Foucauldian reading, Miller goes on to explore the workings of the open secret in the 19th-century novel, its role in creating the liberal/carceral subject, and its centrality to the maintenance of the social order, as “the very genre of the liberal subject . . . the genre that produces him, the genre to which, as its effect, he returns for ‘recreation’” (33).

 

Reflecting on MC’s team experience

I can’t believe the semester is almost over!!! This journey has been so rewarding but so exhausting at times. And I’m happy we are getting to a point where we get to wrap things up, look at what we created and present it to other people. I feel like my team has done amazing. The way we have managed to work together since the first day we became a team has been very eye-opening to me and now I won’t ever lower my standards as to how group projects have to be 🙂 Everyone worked so hard on their research and their role in the project while being so graceful and compassionate, and I appreciate that a lot. I usually have the busiest Tuesdays and Thursdays during the week, since I work from 9 to 6, have class 6:30 to 8:30 and then group meeting at 8:45. Although by the time I got to our meetings, I was drained, the team was always understanding and appreciative of the progress I made, whether it be on the website or my research. Last week, Bri has the brilliant idea to create an inventory of the github website to look at it together and have a list of what still needs to be worked on/changed. I found that extremely helpful and it allowed me to make a lot of changes to the website. It now has such a different look and feel and as Asma said “It’s like watching a child grow”. I’m just very happy that the team is liking where the website is going and I appreciate all the feedback.

We recorded two more episodes for the podcast. This allowed me to combine all my data points and think more about how I wanted to present them. We then talked about our vertical timeline and each chose three data points that we wanted to include.

I’m very excited for the Digital Showcase Presentation!! Bri has done an amazing job on the slides and I can’t wait to see it.

I also wanted to congratulate all the groups for their amazing projects. I looks forward to seeing your presentations.