BIANCA F.-C. CALABRESI (she/they): BA, MA, & PhD in Comparative Literature/Visual Culture; current first-year MA student in DH, CUNY, and Humanities instructor at Columbia.
Background: I bound my first book at 7 and have been an ephemera maker and dead-technology historian ever since (Editor of a literary magazine produced on linotype and newsprint. Assistant letterpress printer for Peter Koch, Blackstone Press, etc.).
Professionally, I worked for a decade in catalogue and exhibition creation—research, editing, and design—at a range of museums (e.g. Philadelphia Museum of Art; Whitney; TheMet); I’ve been teaching and writing about early modern book history and women’s cultural production for twenty+ years: I’ve published on a range of bizarre topics, from red ink as simulated blood in printed pamphlets to samplers as sites of alternative female literacies.
Project Management: As a leader/follower/mediator for three decades in non-profit and academic service work, I’ve happily been the note-taker and the committee chair. I can run a meeting in under an hour with everyone talking. I enjoy resolving conflict and finding consensus. I’m paid to keep higher-ed students on task. I’m the last to leave and I’ll put the project to bed.
Research: I specialize in the deep-dive across a wide range—I love to find and assess scholarship, primary materials or archives, and current discourse/debates in any discipline. Particular areas of skill: Visual Culture; Global Literature; Legal and Social History; Text and Technology Studies. I read/write/speak Italian & French well; I can manage reading German, Spanish, French Creole, and other Germanic/Romance cognates as needed.
Development: This is my area of least knowledge and where I’m most excited to learn. I’m quick at absorbing info and willing to do extra training. I would love to shadow members of the team and I embrace non-lethal failure.
Design/UX: I have strictly analog design skills other than some basic platforms we explored in the first semester. However,
I bring substantial knowledge of the histories of UX—shifts in information production, reading habits, visualization of material, “national” typographies, theories of “clean” design and their cultural limits.
My letterpress years trained me to attend to tiny details and adjustments, as well as to the implications of font, color, image, framing, etc., and the differences in digital and print design.
I do professional-grade, fast, and thorough copy-editing, proof-reading, fact-checking on a regular basis.
Outreach: I’m an enthusiastic, quick-thinking marketer of the unlikely (i.e.: 500-year-old obscure material). I use Twitter and Instagram as tools to find and create intellectual and artistic communities and to foster new ideas and projects for good. I have considerable experience in grant-reading and funding proposals in non-profit sectors. I talk to strangers on the bus; cold-call Ohio Republicans; sell first-year students on epic poetry and their parents on careers in painting conservation; in other words, no fear.